Hello reader!
If you've just stumbled upon RETRODEF, this post is just to let you know that I have a new site: ryho.blog!
I'm leaving RETRODEF up as an archive of all the cool and fun posts that were made here over the years, so I hope you check it out and enjoy!
If you want to read any of my latest articles, however, please consider checking out ryho.blog.
Thanks for reading,
R
This Halloween season has honestly been absolutely stacked with tricks and treats to the point where you almost stop appreciating all the cool and wonderful stuff that was thrown our way. I started seeing candy in early August, which is totally unheard of here in Nova Scotia, and I still managed to find these amazing Dare Halloween cookies at a late-season Walmart trip a few nights ago, in which the store was essentially devoid of anything spooky, already replaced with all things jolly and nice.
But I’m not here to write about cookies! Oh, no!
In the dying days of Halloween 2021, Burger King has come out of nowhere with what could have been a shining star of the spooky season! The Franken Whopper!
In years past, Burger King has often had a seasonal offering. Some of the greats include the A1 Halloween Whopper, the Ghost Whopper, and the Nightmare King Whopper with black, white, and green buns, respectively!
Sadly, the Franken Whopper does not come with a coloured bun. It’s really just a regular whopper, but topped with french fries and onion rings.
What’s especially weird about this Whopper is that it was only offered in Canada, which to the best of my knowledge has never had any of the other Halloween sandwiches from the past six or seven years, and you could only purchase it via the BK App.
If I’m being perfectly honest, this feels like a last minute call. Like, someone at BK Corporate said, “We need to boost BK App usage. Let’s trick all these Halloween nuts into using the app to get a Halloween sandwich!” Then they slapped some fries and onion rings on a Whopper and went out for drinks to celebrate.
There was little-to-no information about this happening. As far as I know, no news was released about the Franken Whopper until October 25th and it’s window of availability is legit one week, ending on Sunday, October 31st!
Although the BK I went to – which wasn’t my local BK, I had to go on a journey to get this bad boy, but that’s the fun of this stuff right? – had posters and images adorning every corner of the various burgers and sandwiches available, there was nothing for the Franken Whopper, further proof this thing materialized overnight.
Outside of a few images on the app, there wasn’t a whole lot of effort put forth. I mean, look at that “real shot” of a Franken Whopper. That is an obvious Photoshop job that screams 4:30 on a Friday. There wasn’t even a cool, special burger wrapper or bag. The only thing to identify my sandwich as something different was a sloppy scrawl of what looks like “Fran” on the side.
All that said, this was still a homerun for me. In the dying days of the Halloween season, when honestly even a hardcore Halloween nut like myself is kinda losing steam, having this drop out of the blue was a much-needed shot in the arm. I wanted to run out of my house screaming to get one on Monday, but due to being an adult and “priorities” I had to wait a few days, finally scoring one at lunch today.
No, it’s not really on par with the Halloween Whoppers of yesteryear, but it gave me an excuse to throw on a podcast (special thanks to the Purple Stuff Podcast) and go for a Halloween outing a few days before it’s time to pack it in for another year. For that alone, I loved it.
Also, although it was made clear to me that this lunch would be ~2000 freakin’ calories it was delicious. I modified mine to drop the tomato and double the pickles, which was the right move. I promise you.
So, that’s it. The Franken Whopper! It might fall to the wayside this year, but who knows? Maybe next year it’ll get an international roll out with a proper marketing campaign and a cool green bun! Here’s hoping!
Hope you enjoyed and Happy Halloween!
R
I’ve been seeing such a discourse on social media surrounding this film, which is AMAZING! Having a healthy discussion about the merits of a movie like Halloween Kills is super important and I like seeing everyone’s opinions, both for and against the movie. In fact, REGIONFREE will be doing a live discussion tonight that you should absolutely check out!
That said, I’ve seen a lot of folks out there trashing other people’s opinions because they don’t align with their own. This movie landed on Thursday night in advanced screenings and as I’m posting this it’s Tuesday and Halloween Kills is still dominating my Twitter feed and I’m not really liking the conversations I’m seeing.
In video gaming circles, we call it “fanboy”-ism (I added the -ism). I’m not sure what to call it in the film community.
Anyway, the video says the rest.
Hope you enjoy,
R
I knew my lucky streak of great and recent horror films would break eventually and that day has come!
I heard a lot of hype surrounding Hunted, a Shudder exclusive that dropped on January 14th, 2021. I decided I’d give it a shot, even though I had my doubts. I should’ve listened to my inner voice!
Check out my thoughts on the movie right here.
Did you enjoy Hunted? Or did you dislike it, as well? I’d love to hear your thoughts in a comment – here or on YouTube – or you can always hit me up on social media!
Cheers,
R
Well, in my effort to tackle more modern horror I’m batting 2 for 2!
The Empty Man is a film that I absolutely would’ve bypassed if it weren’t for reviews from my pals from REGIONFREE, Lorne Dixon and pizowell, letting me know it was worth a watch.
My general vibe going in was that it was a teen supernatural horror flick that would be like a Slender Man movie or something, but it is nothing like that! It is a supernatural detective procedural psychological horror film. Yes, that many adjectives!
It’s all those things, but never boring or hard to understand (except maaaaaybe the well-built twist ending!) and really I can’t recommend it enough!
Check out my thoughts in the video below and please sound off on your thoughts if you checked out the movie! You can leave me a comment on the video, this blog post, or via any of my social media outlets.
Hope you enjoy,
R
I’ve been telling myself for a few years that I need to get caught up on the latest horror film releases.
Back in the early ’10s (people say that, right?) I got out of horror big time. I was so sick of all the remakes, thinly-veiled remakes, and derivative stuff that was getting churned out of the Hollywood machine.
In recent years, we’ve seen a serious uptick in quality horror films and it’s made me want to go back and revisit some of the movies I’ve missed and also entices me to try out some of the more current offerings.
With a site called RETRODEF it will come as no surprise that my default is always to go with an old classic instead of something new, but I really need to rectify that and support new and burgeoning horror films and filmmakers.
So, to kick off my new initiative I recently took in The Dark and the Wicked, written and directed by Bryan Bertino (of The Strangers fame), and starring Marin Ireland, Michael Abbott, Jr., with a cameo by Xander Berkeley.
It’s a very bleak supernatural horror film that puts a spin on a few familiar horror tropes. Check out my video and let me know what you think!
Thanks for watching,
R
A long, long time ago I wrote an article about my favourite retro games to play around the holidays and one of the games I featured was Legacy of Kain: Soul Reaver. Why? Honestly, there’s no good reason other than the fact that I first played it around Christmas of 1999. I didn’t look for it under the tree or pine over it in gaming magazines that year or anything. I just went to the rental store for something to play on a random December weekend, snagged a copy of Soul Reaver for the PlayStation because the graphics looked cool, and that’s it!
Many years later I would finally pickup a copy of my very own, but for the PC, and since then I install it during my Christmas break and at least play a few hours, if only to try and relive those memories for a little while.
It occurred to me that I had never really reviewed or talked about the game except to say that I liked playing it by Christmas light every few years, so I thought that might be a fun article to post!
Legacy of Kain: Soul Reaver is the sequel to Blood Omen: Legacy of Kain, which released on the Sony PlayStation in 1996 and on the PC the following year. It was developed by Silicon Knights, who also did Eternal Darkness on the GameCube, and published by Crystal Dynamics, most notable for developing Tomb Raider.
Blood Omen was a top-down action RPG, which featured the titlular character Kain, a nobleman who has been killed and turned into a vampire. The story follows Kain as he seeks revenge for his affliction by destroying the nine pillars of Nosgoth – the fictional world the Legacy of Kain games are set in – only to find himself reveling in his new vampiric evolution.
The game was popular enough, mostly because of its adult theme and violence, all of which garnered it a sequel. Crystal Dynamics began development of “Legacy of Kain 2” immediately after the release of Blood Omen, but legal woes with Silicon Knights caused delays in the release and forced Crystal Dynamics to remove certain features and elements from the game. Ultimately, they broke through the legal issues and were able to publish Soul Reaver in the summer of ’99.
Despite having some of the game elements disabled, Legacy of Kain: Soul Reaver is a fully-featured title set many years after the events of Blood Omen: Legacy of Kain. SPOILER ALERT! Kain, after defeating eight of the nine pillars’ guardians, came to the realization that he was the ninth guardian. In order to restore Nosgoth, Kain had to sacrifice himself, but would not. Instead Nosgoth began a slow decline into ruin, while Kain and his vampire brood continued to flourish and evolve. One of his most trusted lieutenants is Raziel, the main character of Soul Reaver.
In an amazing opening cutscene you get some of this backgroud story and witness Kain’s jealousy and aggression when Raziel evolves and grows wings – a gift Kain himself has not yet been given. In a fit of rage, Kain destroys Raziel’s wings and throws him into a swirling vortex to toil in agony for all eternity.
1500 years later, the Elder God of Nosgoth resurrects Raziel as a Wraith – a creature of the “spirit realm”, which can devour the souls of the dead. He gives Raziel the choice to hunt down and kill Kain, both out of vengeance and to restore the pillars of Nosgoth, ending the world’s decay. Thus, he names Raziel his Soul Reaver – which is a reference to the name of Kain’s sword – and sets him loose on the dying lands with his new purpose.
Sounds incredible, right! Well, it is. The story of the Legacy of Kain games is absolutely top tier. The gameplay would also become a very important part of what the series would become and that starts here, with Soul Reaver.
Unlike Blood Omen, which was top-down, Soul Reaver is in full 3D. It’s an action game with puzzle aspects. You can move Raziel through the 3D environment of both the spirit realm and Nosgoth, which adds extra depth to all the environments of the game as they can typically be navigated in both dimensions.
At its core, the game is really a Metroidvania. I can sense a lot of “gamers” just picked up their torches and took to the comment section to ream me out!
Metroidvania is a portmanteau of the titles Metroid and Castlevania, both known for their non-linear action adventure titles, where the player is placed in an “open world” of sorts – not just moving left to right through stages – but traversing back and forth through a sustained environment, unlocking new areas by getting new abilities or finding keys.
At first Raziel can really only shift between realms and devour souls, but soon gains abilities like phasing through gates that block his path or climbing certain walls. This allows him to find his way through the dying Nosgoth to hunt and kill Kain.
After encountering Kain for the first time, Raziel gains his main weapon – the soul reaver itself. Kain attempts to use his century old blade to kill Raziel again, but instead the weapon is destroyed and its essence becomes merged with Raziel as an ethereal extension of his arm. As the game progresses, you can gain new abilities to help in battling the vampire hordes that languish in the world, as well as upgrade the soul reaver.
The gameplay can honestly be a little repetitive and the environments, although mastered in beautiful 3D for their time, can feel a little too alike. That’s kind of typical for games of its time, but what makes Soul Reaver shine is pretty much everything else.
The voice acting and music are too good not to mention. If you’ve played video games, you know that the voice acting can be really abysmal, but that is not the case here. Many sites and magazines will list the Legacy of Kain series as the top 50 best voice acted games and it’s a worthy kudo.
The music is also a standout. It has a very industrial feel to it, which seems off considering the fantasy aspects of the game, but it totally works. Each area of Nosgoth has a unique theme, but the music will naturally change to suit the current situation. In a battle, the music will be more epic and exciting, while it will be more muted and subdued as the player explores each region.
The story is just so engrossing. Soul Reaver builds on the already great world created in Blood Omen, but really takes everything to the next level. And, if you can believe it, things get even better in its direct sequel, Soul Reaver 2, which actually incorporates time travel!
All-in-all, Soul Reaver is an absolutely amazing game and a real triumph of its time. Yes, it can be a little repetitive, but all of the seamlessly integrated story elements and cutscenes will absolutely grab you and keep you motivated to continue on.
I’ve been playing the game on PC for many years. I can’t recall exactly how the PlayStation version looked – and I’m sure it’s serviceable – but I have to say that PC is probably the way to go, if you can. It was also released on the Sega Dreamcast in 2000, which I hear is the best console version by far. I have to say that the game still looks amazing on PC at its highest resolutions on my 720p TV.
It took a little finagling to get a new controller to work for it, but the time was worth it. The game supports Direct Input, which was the standard in the late-90s, but these days most controllers us XInput. A quick internet search allowed me to find a tool that will map a controller to Direct Input for you easily. I actually plugged in one of my PlayStation Classic controllers, which use USB, and it really helps to simulate those nostalgic vibes!
For me, there’s something special about replaying Soul Reaver with nothing but soft Christmas lights to brighten my darkened room, but as I’m sure no one else shares that attachment, trust me – you can enjoy Legacy of Kain: Soul Reaver any time of the year. So go ahead and do that! It’s actually on sale as I write this for $1.09 CDN on GOG.com (Windows PC version) and runs for $5.99 as a PSOne Classic on the Sony PlayStation 3 or PSP systems (NOTE: PSOne Classics can only be purchased from a PS3 console), so you really have nothing to lose!
Is there anything tradition, movie, or game that you like to enjoy during the holidays, but it has nothing to do with the season? I’d love to hear about it in the comments!
Merry Christmas,
R
Every year we carve out time to watch some of our favourite Christmas specials, like Rudolph, the Grinch, Frosty, and Charlie Brown. But what about the Christmas episodes of your favourite cartoon shows? It wasn’t just the big specials drawing people into the season. Pretty well every TV show you were watching likely had at least one Christmas episode if not one for every season!
Here are some of the best Christmas episodes from ’90s cartoons that I think you should check out this year!
Okay, I had to lead with this one, because it is way out there, but please indulge me.
The Ren & Stimpy Show was one of my favourite cartoons as a kid. This was one of the first cartoons that were (intentionally or not) really aimed at an older demographic, but the potty humour and ridiculousness made it borderline taboo so, of course, I just wanted to watch it more. Oddly enough, this show somehow aired beside Rugrats and Doug on Nicktoons in the US. In Canada, Ren & Stimpy aired later in the evening on Much Music, our (pun intended) much better version of MTV.
My parents were always very liberal with letting me watch whatever I wanted. Ren & Stimpy was where they drew the line, for some reason. I can recall one night convincing my father to let me stay up until 9:30 to watch TV – but totally not Ren & Stimpy – only to dastardly change the channel to Much Music just as the show was about to begin. He made me turn it off! I was scandalized! It wasn’t long before he relented however and the first episode I can recall watching was “Space Madness”, which had me hooked.
Like any TV show at the time, especially one that was technically made for kids, Ren & Stimpy had a Christmas episode. There’s actually two that I can remember! Today, however, we’ll be talking about “Son of Stimpy”, which aired in January of 1993. Yeah… I know. It was apparently typical of the show’s creator, John Kricfalusi, to be late with material, so I’m assuming this is one of those instances.
Now, bear with me, but the episode’s premise surrounds Stimpy having his first *ahem* fart, which leads him to believe he has just given birth. He names his son Stinky and pines over his disappearance, falling into a state of depression. Ren, who unsurprisingly doesn’t believe Stimpy created gaseous offspring, can only watch as his best friend falls into the depths of sadness, before striking out in a snowstorm on Christmas Eve to try and find his long-lost child.
This kind of stuff would only fly on Ren & Stimpy, but as absurd as it sounds it worked. I would about guarantee you’d never expect to have a vested interest in seeing a cat be reunited with his long lost fart on Christmas morning, but here it is.
You may be thinking there’s no way you’d sit down and watch something this ridiculous during the holidays, but can you honestly think of anything else like it? Nope! So strike a new path and take in “Son of Stimpy” this year. I guarantee you’ll get a gas out of it! HA! I kill me!
I couldn’t find The Ren & Stimpy Show anywhere to stream here in Canada, so if you want to check this one out you might have to dig around for an old DVD or search the web like I did for a VHS-ripped TV airing from the year 2008!
I can't sleep, so I'm drinking Christmas tea and watching old Christmas Cartoons. As you can see, only the classics. 🎄🍑💨 pic.twitter.com/AguEhIDOlm
— Ryan Hollohan (@RyHoMagnifico) November 14, 2020
Everyone remembers The Simpsons Christmas episode “Simpsons Roasting On An Open Fire”, because – in a rare case – it was actually the very first episode of the series when it hit syndication in 1989. The first episode was intended to be “Some Enchanted Evening”, but because of a hiccup with the animation and it being mid-December, the producers decided to lead with a Christmas special.
But I’m not going to talk about that episode. I’d like to talk about another classic, which is “Marge Be Not Proud”. It’s hard to believe, but this was only the second Christmas-themed Simpsons episode to ever air, seven years to the day after the first show! Because the first episode was so well-received, no one wanted to touch a Christmas show for a very long time.
The story centers around Bart wanting a new violent video game called Bonestorm, which is of course a Mortal Kombat stand-in. When Marge refuses to buy it for him, he attempts to shoplift it from a local discount store. The episode is incredible poignant. We’ve all disappointed someone in our lives at some point and it’s easy to empathize with Bart in this situation, even if you didn’t do anything as egregious as shoplift.
At it’s core, “Marge Be Not Proud” is one of those really heartwarming episodes The Simpsons were capable of without losing the laughs. It’s hard to explain, but it doesn’t feel like the usual Christmas special you’d expect. I mean all the trappings are there; it features Santa (like you’ve never seen him before!) in a video game commercial, a department store at Christmas, and a Krusty Christmas Special, but at it’s core “Marge Be Not Proud” is just a sweet story about Marge and Bart realizing how much they need each other, while Homer and Milhouse (a.k.a. Thillho) handle the comic relief.
If you are subscribed to Disney+ then you can stream this episode right here or you can always track down one of the millions of DVD releases that are floating out there in the wild!
Stuuuuuff THIS up your stocking!
Unlike The Simpsons, I’m never sure how many people are aware of Bump in the Night or not, so I’ll start with a little about the show, if you’ll indulge me!
Bump in the Night was a claymation show that aired on ABC for two seasons from ’94 to ’95. Everyone remembers the ABC Saturday Morning cartoon block, because they always had the best bumpers to the tune of “After these messages we’ll be riiiii-ight back!” You know you were singing that in your head!
What some people might forget is that in 1993 a new set of bumpers were created, which featured a little green bug-eyed monster, a blue blob-looking creature, and a stitched together Raggedy Ann-style doll. Well, these would become the characters of the then newly-minted Bump in the Night!
The show followed the green monster, Mr. Bumpy, who lived under a 10-year old boy’s bed and his friends the blue blob Squishington and the boy’s sister’s doll, Molly Coddle, as they went on adventures in the night while everyone was asleep in the house. There was a whole cast of characters, which included antagonists Destructo, a robot action figure that constantly tries to keep Mr. Bumpy in line, and the Closet Monster, which is a living pile of clothes that lurks in the depths of the, well… closet.
There would usually be two stories per half hour episode, which almost always included a musical number that acted as a sort of clip show recounting the events of the episode.
ABC pulled out all the stops for Bump in the Night, casting veteran voice actors Rob Paulsen (Raphael from Teenage Mutant Ninja Turtles) as Squishington, Gail Matthius (former Saturday Night Live cast member and Shirley the Loon from Tiny Toon Adventures) as Molly, and Jim Cummings (Tigger from Winnie the Pooh and Pete from various incarnations of Mickey Mouse cartoons) as Mr. Bumpy.
The show was a super fun and incredibly well-animated program that I instantly fell in love with when it started airing in ’94. It was a popular show, as well, but in ’95 was cancelled. I’m not sure why exactly, but I assume it has something to do with Disney buying into ABC around that time and the SatAM cartoon block being loaded with Disney programming like Gargoyles, The Mighty Ducks, and DuckTales.
In it’s final year, however, they made a huge Christmas special. As I said before, the clips in the show were usually under 15 minutes, although the occasional episode took up the whole half hour block. “Twas the Night Before Bumpy” had over an hour long runtime!
In the special Mr. Bumpy wants to get his hands on Santa’s sack and enlists his best pal Squishington to join him on a quest to the North Pole to find Santa’s workshop. Molly Coddle and the rest of the show’s characters remain at home attempting to put on a Christmas Pageant.
Along Mr. Bumpy’s quest he and Squish run into several characters in desperate need of gifts from Santa, including a South American earthworm by the name of Juaquin Gusanito Sin Manos, voiced by none other than Cheech Marin! The little monsters enlist the help of their new acquaintances to help them find Santa’s bag with the promise of whatever they wish for from it, although Mr. Bumpy is always working angles to keep all the wonderful presents to himself.
In the end, Bumpy and Squish find Santa’s workshop, which is protected by a paramilitary force of Elves and Snowmen that instantly make you think of the Clayfighter video games – clay animation was really seeing a big resurgence during this time. The episode is interspersed with original parodies of classic Christmas carols and even a Hannukah song!
My sister and I loved this special back in ’95. In my memory YTV, which I believe syndicated the show after it was cancelled by ABC, played “Twas the Night Before Bumpy” during their Christmas programming for at least a few years after, because I certainly made a point to catch it more than once in the 90s. Either that or I had it recorded to a VHS tape, but if I did it’s long gone. For years I couldn’t watch the special, which always irked me, despite it actually having a DVD release in the mid-2000s, but now anyone can enjoy it on the Wildbrain YouTube Channel, which is loaded with all kinds of great 80s and 90s cartoon content!
The ads can be a bit of a pain, but trust me – this one is worth it!
Now we’re cookin’!
Batman: The Animated Series launched on FoxKids back in September of 1992 and essentially kicked off the entire Warner Bros. DC cartoon superhero “universe” we all know and love today. The style, attention to detail, and incredible story-telling and acting on display in Batman TAS make it not only one of the best animated TV shows all time, but just plain one of the best shows, period. For my money, this is the greatest portrayal of Batman ever outside of the comic books.
As is always the case with a great superhero there must be equally engaging bad guys and if there’s a more famous villain that The Joker, I’m not sure who it is! Batman, voiced by the incomparable Kevin Conroy – who is so good as the Caped Crusader, I have a hard time hearing anyone else in the role, much like Peter Cullen as Optimus Prime – had to have just the right actor to stand against him as The Joker. In what is probably one of the greatest casting choices of all time, Mark Hamill would take the bull by the horns and help to create an absolutely iconic version of The Joker that endures to this day.
And that all started with the series second episode, “Christmas with The Joker”. I say the second episode, but in reality it actually aired much later. As I mentioned the show started in September of ’92, but it came out of the gate with 65 episodes and immediately went into syndication, so the initial airings were kind of all over the place at the time. This particular episode didn’t actually air until November of that year, so there were likely at least 10 other episodes that technically preceded it.
“Christmas with The Joker” opens with the Clown Prince of Crime breaking out of Arkham in top notch Joker style, by somehow rigging a Christmas tree into a rocket and blasting off throw a skylight singing “Jingle Bells, Batman Smells”, which was likely the first time that version of the song was ever canonized!
He then goes on to somehow take over the television airwaves of Gotham City, broadcasting his own twisted Christmas special calling out Batman to jump through a series of elaborate traps to save Commissioner Gordon, Barbara Gordon, and Detective Bullock all on Christmas Eve.
The Joker absolutely steals the show, of course. I just can’t get over Mark Hamill’s version of the character. Much like I have a hard time hearing anyone other than Kevin Conroy voice Batman, I find it equally difficult listening to anyone else play The Joker. Hamill’s laugh and line delivery is absolutely perfect. And the best part of the whole episode? The Joker’s endgame was legitimately to give Batman a pie in the face. That’s it.
Absolutely brilliant!
Batman TAS had a fairly popular DVD release, which isn’t too hard to find secondhand, and recently landed on a really awesome Blu-ray set. You can also stream the show from various platforms, including YouTube for $1.99 CDN an episode.
Although I already featured a Matt Groening animated show I just couldn’t talk myself out of rounding out this list without mentioning one of my favourite episodes of his other seminal cartoon, Futurama.
Futurama, of course, follows the story of Fry – a dim-witted pizza delivery guy – who gets accidentally cryogenically frozen on New Year’s Eve 1999 only to awaken 1000 years later as the year 3000 begins! He gets another delivery gig for a company called Planet Express once he finds his only living descendant, Dr. Farnsworth, a quirky old professor. There he meets the rest of the cast, which includes Leela, the captain of the interplanetary deliver ship, Amy Wong, a rich intern at Planet Express, and Bender, a liquor-swilling, foul-mouthed, robot.
Futurama instantly became one of my favourite shows when it first aired in 1998. For many people, I feel like it was overshadowed by the immensely popular Family Guy, which began airing a few months later in 1999, but I always preferred Futurama, which itself aired for seven seasona and was even revived with some direct-to-DVD films in the late-2000s.
It’s first Christmas special, “Xmas Story” aired in the second season on December 19th, 1999 and has some of the most iconic jokes in the whole series.
It’s centered around Fry’s first Christmas in the future, which is now known as Xmas, but continues to keep many of the same traditions that were around in 1999. One major difference, however, is Santa Claus. In the year 2801 a real robotic version of Santa was created, which could determine if someone was actually naughty or nice. In true Terminator fashion, the robot went mad and started dishing out punishments for anyone who was naughty. Since then, the people of the world hide in fear during the night of Christmas Eve, lest they be judged by SantaBot and have to see what he has in his “sack of horrors”.
There’s also a great subplot in there with Bender stealing booze (which is basically food for robots in Futurama) from homeless robots, because that’s how Bender do.
Much like the iconic quotes Santa delivers in “Marge Be Not Proud”, robot Santa has some of the best lines from Futurama, like “Time to get jolly on your candy asses!” and “I’m going to shove coal so far up your stocking you’ll be coughing up diamonds!” All delivered by none other than John Goodman… Frosty from Frosty Returns!
Again, I can’t recommend “Xmas Story” enough. It’s available on many streaming platforms and the DVDs for Futurama are really easy to find for cheap. Here it is on YouTube for the slightly steep price of $2.99 CDN per episode!
And there you have it! Five classic ’90s Christmas shows that you might not have considered taking in this holiday season. Let’s face it, with the Covid-19 pandemic many people have nothing but time, so instead of just watching the usual fair, why not try something different? You can’t go wrong with these Christmas shows, I promise!
Merry Christmas,
R
If you’re from outside of Canada, you’ve likely never heard of The Raccoons, although it did air in the US on the Disney Channel, I think? It was a cartoon created originally as a Christmas special titled The Christmas Raccoons for the Canadian Broadcasting Corporation (CBC) in 1980 by showrunner Kevin Gillis, who produced this show and more recently Atomic Betty.
After a series of TV specials, like The Raccoons on Ice and The Raccoons and the Lost Star, The Raccoons finally started airing as a regular television series in 1985 and ran until 1991.
It’s hard to describe exactly how beloved The Raccoons is up here in Canada, but I think you can liken it to something like The Smurfs. It was a wholesome, fun cartoon that anyone could enjoy. Oh, and they played hockey!
So, why am I bringing this show up now? It’s Halloween, for crying out loud!
Well, I always remembered watching an episode of The Raccoons that I thought was their Halloween special. I distinctly remembered watching TV one day and seeing a commercial that a monster episode was going to air around Halloween and that I was stoked! Well, I recently stumbled upon that promo – big thanks to the Betamax King on YouTube!
I saw this video a while ago, so I decided to add this episode of The Raccoons to my Halloween watch-list, which I curate during the off-months in preparation for September and October – yes, I’m a geek. It was just last week when I finally got to sit down to it!
And… this is most definitely not a Halloween special. Don’t get me wrong, it was fun and it definitely (kinda) had a monster in it, but it was apparent fairly quickly that this was simply aired around Halloween, but was not produced with that intent.
The Raccoons features anthropomorphic woodland animals that live in Evergreen Forest. It’s focused on three raccoons: married couple Ralph and Melissa and their live-in friend, Bert? Kind of a weird relationship there. They’re usually up against Cyril Sneer, a wealthy industrialist who is always trying to make a buck. His son Cedric is a friend to the eponymous Raccoons. It turns out the Sneers are aardvarks? I’ll be honest, when I was a kid I thought it was weird that they were the only two “monster” characters in the show, because I could never place what animal they were supposed to be. You live and you learn!
“Monster Mania!” is set during the summer. One day Bert and Melissa are hanging out by the lake (better watch out, Ralph!) and they see a fire-breathing monster emerge from the lake! Melissa grabs her trusty camera and manages to snap a blurry picture of the creature.
Ralph runs the local newspaper, The Evergreen Standard, so Melissa publishes her picture and the news story, which picks up national attention, bringing lots of news crews and monster hunters to the Evergreen Forest. This all plays perfectly into Cyril Sneers pockets as he benefits on the extra publicity.
The episode is an obvious nod to “real-life” stories about the Loch Ness monster or Ogobogo in Lake Okanagan, British Columbia. It even receives the moniker “Evie”, much like “Nessie” or “Oggy”. If you’re a regular reader, you know how much I love old paranormal TV shows, especially around Halloween, and they often prominently featured these stories, so I appreciate this premise for their “Halloween” episode.
As usual with the show, it features environmentalist motifs. Cyril Sneer wants to mow down the lake to make an amusement park to benefit from the monster’s exposure and all the news crews and thrill seekers visiting the lake are trashing the surrounding area. Guess who wins in the end? The environment!
When writing about The Raccoons you just can’t leave out the amazing music produced by Lisa Lougheed. For this particular episode, the producers featured a song called “Growin’ Up”, which plays in a hilarious scene while some of Sneer’s cronies – who were totally oblivious pigs – are trying to do a water-skiing demo. This is just one of the great songs Lougheed performed and produced for the series over the years, but the most notable song she did was without a doubt “Run With Us”, which was the outro music to every episode. Walk up to just about any Canadian in their 30s and 40s and ask them to sing “Run With Us”. I promise, you won’t be disappointed.
Anyway, spoiler alert – Cyril Sneer built the monster as a hoax to drum up business and, of course, The Raccoons foil his plans once again. Ralph – who was jealous at Melissa’s success the whole episode – gets to eat a little crow, too. Happy ending!
You know what’s really cool? It looks like Kevin Gillis is trying to reboot the series! I’ve seen some concept art for The Raccoons: The New Adventures, and it looks really great and pays homage to the old show quite nicely. I’m really looking forward to it! What’s also awesome is that it looks like all of the old episodes of The Raccoons have been legitimately posted to YouTube by the production company Run With Us Productions, so you can actually kick back and watch “Monster Mania!” for yourself!
It’s admittedly not a Halloween episode – in fact, another episode that aired years later titled “The Phantom of Sneer Mansion” would be a better fit – but it did play a part in my Halloween in 1988 and it was a great trip down memory lane revisiting The Raccoons!
Happy Halloween!
R
Hey everyone!
Sorry things have been so quiet around here lately! I’ve had some other projects on the go – hopefully some that I can share with you soon! – and it’s been eating up my free time. Rest assured there is more Halloween-y RETRODEF content coming in the next week or so.
That said, tonight at 8PM ET we are livestreaming REGIONFREE Episode #2, which will be about all things Halloween and horror! You can check out the stream here:
If you want to check out the stream on VOD, you’ll have to subscribe to our Patreon. Please consider trying us out! If not, we do post clips of each episode to the YouTube channel after it airs!
Our first official episode, as well as our reveal show, are available for free on YouTube right now, so please check those out, too!
We hope to see you in the chat tonight during out Halloween episode!
Cheers,
R
The resounding success of Super Mario 64 in 1996 and many of the Nintendo 64 games that followed convinced publishers that 3D was not only the future of video games, it was the present. The PlayStation and Sega Saturn’s hardware weren’t as proficient as the 64’s when it came to 3D graphics but the pressure was on to produce 3D games. Both systems did go on to have some very good 3D games while 2D was seen as passé and games in that style dropped off significantly.
The other trend relevant to Syphon Filter was that of the stealth action genre. While 1997’s Goldeneye – the N64’s massively successful movie-based first person shooter – offered plenty of action and moments where the player must take on waves of enemies as is customary for the genre, the spy aspect did squeeze in a little sneaking around. It was to the player’s benefit to take out enemies quickly and quietly before the alarm was raised bringing reinforcements. The use of silencers was key as was good accuracy; often you only had one chance to silently take out an enemy and if you missed the heat would be on.
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| Metal Gear Solid: Often imitated, never duplicated. |
Which brings us back to Syphon Filter. Possibly you forgot that’s what this article is about. You are forgiven.
Developed by the little-known Eidetic, whose only game to that point was one of the absolute worst of the aforementioned wave of fully 3D games, Bubsy 3D, Syphon Filter is no Metal Gear Solid clone, but it’s definitely strongly influenced by the Konami title. The player finds himself in control of a covert agent Gabriel Logan engaged in a series of missions. The agency is tracking terrorist Erich Rhoemer, who has acquired a deadly biological weapon called Syphon Filter (which, yes, is similar to Metal Gear Solid’s FOXDIE) and has just launched an attack on Washington, DC. Just like Goldeneye and most spy movies, Logan’s quest brings him to a variety of locations throughout the world. The story is fairly standard and it’s not necessary to relate it here. Logan himself is a fairly bland character and his voice actor makes him sound approximately seventy years old.
The gameplay takes place in third person with Logan going through 3D environments and the player can rotate the camera as needed. While the camera isn’t perfect and you can sometimes end up with some inconvenient angles, it’s usually not enough to truly hamper you. It’s not a platformer requiring precise jumps like Super Mario 64 after all.
That isn’t to say precision isn’t required, though. Aiming certain weapons shifts the perspective to first person and it can be tricky if you’re under pressure from enemies. While the game favours a stealthy approach, Gabe is still going to see plenty of combat as enemies sometimes come at him in waves. But the real challenge lies in entering new rooms or areas where enemies have already taken up firing positions. Cover isn’t always available and even when it is, it’s tenuous.
I haven’t watched videos of people playing Syphon Filter so I only really know how I chose to play it. My main strategy involves almost constant movement once I’m in a gun battle. This frantic style of play enables you to dodge bullets but makes aiming difficult and weapons do run out of ammo. So in some of the later levels it can take several attempts to figure out the best way to navigate a prolonged battle. A few years later, I’d apply a similar strategy to the Max Payne games but it was easier there because of that game’s feature of being able to slow down time.
While Syphon Filter falls well short of the standard set by Metal Gear Solid in terms of gameplay, story, voice acting and music, it still does add a few neat wrinkles of its own. For instance, in taking advantage of the game’s decent lighting effects, some areas are dark enough to require you to use a flashlight. In certain instances this can be a calculated risk as light can alert nearby enemies when you’re trying to sneak past them.
Syphon Filter was well received and spawned two sequels in quick succession. I’m fairly certain I’ve played both; I know for sure I did play Syphon Filter 2 but can’t really remember much about it beyond it playing exactly like the original game. Beyond that trilogy there came several more I never played: Syphon Filter: The Omega Strain in 2004, Syphon Filter: Dark Mirror in 2006 and Syphon Filter: Logan’s Shadow in 2007. The latter three were all for the PlayStation 2 and were mostly lost in the shuffle during those years. But playing once more through the original has made me curious about them.
Syphon Filter may have been the byproduct of trends but it’s still a solid game that’s fairly fun to play and takes some skill to complete. I was even driven to frustration at some parts but I wouldn’t call the difficulty cheap or unforgiving. One just has to make the proper adjustments. In the end, Gabriel Logan never joined the upper echelon of classic video game characters but he sits somewhere comfortably in the middle as the protagonist of a pretty good series. That’s more than can be said for many others.
cole d'arcI want to take you back now to… THE YEAR 2000! April 24th, 2000, to be exact. I was a teenager who was into geeky things and one of those things was anime. I’d had plenty of run-ins with anime from the ’80s onward – or as we called it, “Japanimation” (still don’t know why that didn’t stick). Some of my favourite shows as a kid were Astro Boy and Tekkaman, but at the time I had no clue they were any different from G.I. Joe or He-Man.
In my teenage years I had more of an understanding of the anime scene and would start to seek out some of the best stuff available, like Bubblegum Crisis, Akira, and Galaxy Express 999.
Most of the stuff that I wanted to get my hands on was hard sci-fi that just had a completely different look-and-feel that we didn’t get in the West. I was certainly drawn to that. The thing is, I wouldn’t say I was or am an “anime fan”. There are plenty of shows and movies that I absolutely love, which – although they certainly are anime – I don’t even really care to put in that “bucket”. I just enjoy them, because they’re awesome!
One of those shows – if not the show – is Mobile Suit Gundam Wing.
I stumbled upon Gundam Wing one night while doing my usual thing – channel surfing. I was a TV junkie as a kid and even into early adulthood. Honestly, it’s something I miss. It was totally normal for me to eat dinner and then spend the next six hours glued to the tube. On this particular day, which was Easter Monday in my neck-of-the-woods, I would’ve had a whole lazy day in front of the TV. Good times!I watched just about anything and everything, but YTV (stood for Youth Television, maybe?) was definitely a station of choice. It was the place to watch cartoons in Canada, although Fox Kids certainly gave it a run for its money in the Saturday morning market during the ’90s. I want desperately to gush about YTV and its evening programming block called The Zone, but I’ll keep it brief for this post and just say that it contained slightly more “adultish” shows for the nighttime crowd and was a place a teenager could still safely watch cartoons without losing their self-perceived edge.
At the time, the phenomenon that was Dragon Ball Z was syndicating in Canada and the US. It wasn’t the show’s first kick at the cat, but in late-1999 and onto the early-2000s the show was being re-aired uncut for the first time, so the fervor for it was reaching new heights. I had seen an episode here and there of its predecessor, Dragon Ball, which aired a few years earlier on Saturday mornings and… it wasn’t really my thing. A friend of mine was all about Dragon Ball Z and kept recommending it, so I thought I’d give it a shot – heck, what did I have to lose? I had all the time in the world back then!
On the evening in question, however, Dragon Ball Z was not being aired. In its stead was Gundam Wing. I’m assuming that after seeing the resurging interest in DBZ that Gundam Wing was a bit of a safe bet to bring to North America. Unlike DBZ, which ran for over 150 episodes, Gundam Wing only had 49 and a sequel OVA (original video animation), which is geekspeak for an “anime movie”. Producing English dubs for the whole series was likely less of a scary investment and good way to see if more of this kind of thing would stick during primetime TV blocks in North America. But what do I know!?
In an effort to give the show a foothold, on its first night airing on YTV they played it in place of Dragon Ball Z, so all the fans of that show could give Gundam Wing their undivided attention. Even better was that instead of showing one half-hour episode, they aired three whole shows back-to-back! You could even vote for the show on The Zone’s website to let the station know if it was a hit or not. This was an event night and, boy, let me tell you, event nights on TV were absolutely my thing.
I’d give you a really cerebral description about Gundam Wing and it’s incredibly nuanced story, but at the end of the day it’s a show about giant robots. Awesome giant robots. Like, giant robots with laser swords and machine guns. That’s all I really need, if I’m being honest with myself. It didn’t hurt that it had a really excellent dub, which could always be hit-or-miss with anime. In a brilliant move, Ocean Productions – the company that dubbed this series as well as earlier iterations of Dragon Ball Z – brought in Peter Cullen to narrate some promos for the show. Not only was he Optimus Freakin’ Prime, but he did the same style of narration for Voltron, so it was a really nice throwback for kids like myself who grew up on those shows.
Anime or not, Gundam Wing is just a really great dramatic action show. Sure, the backdrop is a war between Earth and colonized space structures that circle the globe where giant robots are the primary weapon, but don’t let all that get you hung up. I really think it’s a show that anyone can enjoy if they just put aside the trappings of “anime” and give it a shot.
So, why have I written 1000 words about this TV show from my youth, you ask? Well, because recently I came across a VHS tape with a recording of this very night in question! It was amazing to sit back and relive those exact moments again 20 years later and I just wanted to share some of that.
As you can see, I’ve uploaded The Zone segments that aired during the show to the VHyesterdayS YouTube channel and I plan to upload some of the commercials that aired as well, but I think that will be a post on its own. There’s some really good stuff in there! I’ve also uploaded the theme songs for Gundam Wing in all their glory. As much as I’d like to upload the episodes in their entirety, we all know how that’d end. At the very least you can get a taste for the show’s look-and-feel to see if it’s something you’d like to seek out. Sorry for the hum on the audio – it’s an artifact of the tape. I did my best to clean it up, but it still a little buzzy.
I hope you enjoyed this little walk down memory lane!
R
P.S. This tape also has the Gundam Wing OVA I mentioned called Endless Waltz: Special Edition. This did air on YTV as well, but during the later block at night so the commercials aren’t for cartoons and cereal, but ads for adult stuff like toothpaste and the upcoming Sydney Olympics. If I find anything actually interesting, maybe I’ll post some clips from this block, too.
It’s been a long while since I did one of these videos, but I saw the opportunity this evening and decided to kick back with a cold beer and watch a movie! I’m just now realizing, however, that I’ve never posted a Brew and a View video to the site before. I guess they used to be a YouTube exclusive, but no more!
This time I actually decided to watch something new. I took in Alone, which just came out on VOD yesterday. As for the beer, I had a Boxing Rock Wild Axe pilsner.
Find out my thoughts about each in the video!
Cheers,
R
So, back in January I made you a promise and I am absolutely about to break it into pieces. My apologies in advance, but I just couldn’t help myself!
I acknowledge that, but it turns out this horse has a little life left! When I wrote about UFO Abduction, Dean Alioto’s first film foray – a shot-on-video found footage feature 10 years before The Blair Witch Project – I mentioned that it was difficult obtain a legit copy of the film outside of a few avenues, but that is no longer the truth!
It turns out that in October of last year POV Horror – a streaming site for found footage indie films – released a DVD copy titled The McPherson Tape: UFO Abduction, which includes the film, as well as several audio commentary tracks by the director and Found Footage Critic (which has also thoroughly covered the film), an alternate “Bootleg” version of the film, a making of featurette, and a few trailers.
I’ll be honest, I figured outside of a few limited run DVDs that Dean Alioto might print and sell himself that there would never be a full feature release of this short film, let alone one with so many extras.
When I previously watched this movie I had to settle for a very poorly encoded YouTube video from an old VHS that was probably bootlegged and sold at UFO conventions in the early-90s. It made the experience incredibly sub-par, to say the least. Finally getting the see the film as it was intended was a real treat and I very much enjoyed it.
Here’s a video of my thoughts on the DVD!
One thing to note is that it is super weird that they branded this movie “The McPherson Tape”. The family – although I don’t think their last names are ever mentioned – are the Van Heese family. Hilariously, some of them are named Van Hesse on film’s credits. Either way, they are not the McPhersons! That name was the family name of the characters in the second of Alioto’s UFO films. I assume it was renamed this, because it gets more search hits and they wanted the DVD to sell better, but that’s speculation.
So, hopefully this is the last time – at least for a while – that I’ll cover these films. I can’t say never, because if somehow the “actual” The McPherson Tape did get a release, I would most certainly review that, as well!
Cheers,
R
If you’ve been following me for a while now you’ll know that since 2013 I’ve been a member of a livestream movie discussion show called The Sausage Factory on YouTube.
We a lot of fun over the years, but the group decided it was time for a change. Not only in format and structure, but it was time to change the name and make a fresh start.
The show is now called REGIONFREE! If you’ve been following The Sausage Factory then you should already be in the know. We’ve migrated the social media and YouTube channels over already! If you weren’t following, REGIONFREE is a genre discussion show without borders. Any topic is up for grabs, but the panelists are certainly big time film buffs and horror fans, so that is often topic du jour.
We recently dropped our first show entitled Episode 0. In it we revealed the new name and some of the details on how content will continue go forward. You can watch the new episode on YouTube right now! Also, if you subscribe to the channel or follow us on Twitter and Facebook you’ll get smaller snippets of the live show dropped right into your feed.
Check us out! If you’re a fan of movies, I think you’ll dig it. There are more exciting improvements and changes coming when the show official starts on October 1st, 2020, just in time for Halloween!
