Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Sunday, January 24, 2021

My Thoughts on Hunted (2021)

I knew my lucky streak of great and recent horror films would break eventually and that day has come!

I heard a lot of hype surrounding Hunted, a Shudder exclusive that dropped on January 14th, 2021. I decided I’d give it a shot, even though I had my doubts. I should’ve listened to my inner voice!

Check out my thoughts on the movie right here.

Did you enjoy Hunted? Or did you dislike it, as well? I’d love to hear your thoughts in a comment – here or on YouTube – or you can always hit me up on social media!

Cheers,
R 

Tuesday, January 19, 2021

My Thoughts on The Empty Man (2020)

Well, in my effort to tackle more modern horror I’m batting 2 for 2!

The Empty Man is a film that I absolutely would’ve bypassed if it weren’t for reviews from my pals from REGIONFREE, Lorne Dixon and pizowell, letting me know it was worth a watch.

My general vibe going in was that it was a teen supernatural horror flick that would be like a Slender Man movie or something, but it is nothing like that! It is a supernatural detective procedural psychological horror film. Yes, that many adjectives!

It’s all those things, but never boring or hard to understand (except maaaaaybe the well-built twist ending!) and really I can’t recommend it enough!

Check out my thoughts in the video below and please sound off on your thoughts if you checked out the movie! You can leave me a comment on the video, this blog post, or via any of my social media outlets.

Hope you enjoy,

R

Tuesday, January 12, 2021

My Thoughts on The Dark and the Wicked (2020)

I’ve been telling myself for a few years that I need to get caught up on the latest horror film releases.

Back in the early ’10s (people say that, right?) I got out of horror big time. I was so sick of all the remakes, thinly-veiled remakes, and derivative stuff that was getting churned out of the Hollywood machine.

In recent years, we’ve seen a serious uptick in quality horror films and it’s made me want to go back and revisit some of the movies I’ve missed and also entices me to try out some of the more current offerings.

With a site called RETRODEF it will come as no surprise that my default is always to go with an old classic instead of something new, but I really need to rectify that and support new and burgeoning horror films and filmmakers.

So, to kick off my new initiative I recently took in The Dark and the Wicked, written and directed by Bryan Bertino (of The Strangers fame), and starring Marin Ireland, Michael Abbott, Jr., with a cameo by Xander Berkeley.

It’s a very bleak supernatural horror film that puts a spin on a few familiar horror tropes. Check out my video and let me know what you think!

Thanks for watching,
R

Friday, September 18, 2020

A Brew and a View | Alone (2020)

It’s been a long while since I did one of these videos, but I saw the opportunity this evening and decided to kick back with a cold beer and watch a movie! I’m just now realizing, however, that I’ve never posted a Brew and a View video to the site before. I guess they used to be a YouTube exclusive, but no more!

This time I actually decided to watch something new. I took in Alone, which just came out on VOD yesterday. As for the beer, I had a Boxing Rock Wild Axe pilsner.

Find out my thoughts about each in the video!


Cheers,
R

Tuesday, April 28, 2020

Underwater (2020) Movie Review

I've had an itch that I needed to scratch when it comes to Underwater for some time and I finally managed to watch the film a few days back.

Here are my thoughts on video!


Hope you enjoy,
R

Friday, March 13, 2020

Friday the 13th: Part III Japanese Bootleg and 3D Glasses


Nowadays 3D has completely permeated the entertainment industry. Just about any big film release has a 3D option at the theatre and with 3D HD TVs you can watch more and more 3D content in the comfort of your home.

In the '90s and early 2000s 3D movies had been something played out at least a decade ago; a technology that managed to kick out a few theatrical releases and went the way of the dodo. The last remnants were VHS and DVD releases of films littered with the hokey detritus of what once was. Movies like Amityville 3-D, Jaws 3-D, and even a few minutes of 1991's Freddy's Dead: The Final Nightmare.

Being a big Friday the 13th fan, however, the film that always piqued my interest was of course Friday the 13th: Part III. Oft loved by horror fans for the portrayal of Jason and simultaneously reviled for the acting, one thing that everyone could agree on was that the kills, although interesting, were clearly setups for the 3D effect that no longer added to the scenes, but left them standing out like a sore thumb.

In 2004, after picking up the From Crystal Lake to Manhattan box set I became more and more enamoured with the Friday the 13th films. Previously I would rent the VHS tapes from my local video store, but now I had them to watch as much as I desired. After viewing some special features about my favourite of the lot I became obsessed with the idea of seeing Friday the 13th: Part III the way it had been intended - in full 3D.

Thankfully, eBay was a thing and after some searching I came across a little device that could potentially make my dreams come true! It doesn't look like much, but by hooking up this little doodad to your rear-projection TV (I think it may only work with CRT sets, but I've never tried it on an LCD) it would cast a signal to the shutter glasses, which would cause them to essentially blink in the watcher's eyes.



If you coupled these glasses with the right kind of VHS or DVD it would create the 3D effect I was looking for! But how to find a copy of Friday the 13th: Part III in this format? It didn't exist, right?

Well, let's head to Japan!

After some browsing on a Japanese Yahoo auction site I eventually managed to find just the release I needed. The bootleg's box art is patterned after an official Victor VHD 3D release of the film, but I'm not sure if it's a dub of that VHD or if it's from a completely different release that just used the box art. Either way, the 3D black magic reportedly worked on it, so I purchased the bootleg and waited impatiently for the many weeks it took to arrive on my little island in Atlantic Canada.

I can still remember hooking it all up and trying it out for the first time. I had a small TV that had seen countless hours of video games and X-Files that would do just the trick. After messing around with the cables and getting the right batteries for the shutter glasses, I was ready to experience the film anew.

And it did not disappoint!


Now, before you get all excited let me be real with you; this isn't like the 3D films you're used to since Avatar. However, it beats watching the film in the old red and blue anaglyph 3D, which is actually an option if you picked up the Paramount Blu-ray release from '09.

Would I want to watch the movie like this every time? Nah, not really. It's fun now-and-then to throw on this version and see those old kitschy gore effects the way they were really meant to be seen, but watching the movie through the shutter glasses isn't exactly a treat and the bootleg I have is a little dark and not the best quality.

That said, it meant a lot to me to get to see the film this way back in '04 and even today. I'm doubtful we'll get a real, proper 3D release of the movie that would work on modern 3D TV sets. Heck, I don't even know if that sort of thing is possible! So other than a super rare opportunity to see the film in stereoscopic in theatre we'll be left laughing when Abel dangles that eyeball at the teenagers or when the snake attacks Harold on the toilet, wishing we were in on the gag.

Cheers,
R

Tuesday, September 10, 2019

VHyesterdayS: Godzilla (1998)


I intended this to be a more timely release and to coincide with the latest Godzilla movie to hit theatres, Godzilla: King of the Monsters (2019), but I have never been one to actually land deadlines nor have I had the chance to see the new Godzilla movie.

That's the kind of professionalism you get here, folks!

All that aside, we're not here to talk about the latest and greatest kaiju flick to land in American theatres. We're here to talk about the first American take on the beloved Japanese phenomenon; Godzilla (1998)!


Godzilla was a TriStar production, one of Sony Entertainment's film companies, and began its life in 1992 when they purchased the rights to do a Godzilla film in North America from the owner of the franchise, Toho of Japan.

As is the case with these mega huge franchises, the intent was to create a new trilogy of films and production really started to gain traction around '94, but with budget concerns this initial version was dropped and Roland Emmerich was brought on board in '96. After penning a script with producer Dean Devlin, Emmerich was ready to film by May of '97. The movie was finally released in May of the following year as Sony's expected big budget summer blockbuster.

Just to frame up the kind of fare at the box office at the time Godzilla '98 was released, the teaser trailer, which featured Godzilla stomping on a Tyrannosaurus Rex skeleton (a direct jab at 1997's The Lost World: Jurassic Park) was first played before select showings of Men In Black, Sony's box office behemoth the previous year. A full trailer debuted before Starship Troopers in November of '97.

So, this was the kind of company Godzilla '98 kept; sci-fi fantasy films that relied heavily on sophomore CGI special effects.

In an effort to distinguish this Godzilla from previous incarnations, Emmerich hired Patrick Tatopoulos, whose designs were featured in many big Hollywood productions, including Independence Day and Bram Stoker's Dracula. He was tasked at creating a giant monster that was more of an animal. The final design ended up being like a giant, irradiated Iguana with a lantern jaw.

The film featured, in my opinion, a super-interesting cast. The lead roles were Dr. Nick Tatopoulos (that's a lot of Tatopouli!) played by Matthew Broderick, Philippe Roaché played by Jean Reno, Audrey Timmonds portrayed by Maria Pitillo, and Victor "Animal" Palotti who was played by Hank Azaria. The rest of the cast was rounded out by a solid cadre, which included industry vets like Kevin Dunn, Michael Lerner, Vicki Lewis, Glenn Morshower, and Azaria brought along Harry Shearer from The Simpsons for the ride. Oh, and I can't forget that the incomparable Frank Welker actually voiced the monster.

Even though the movie brought in almost $380M from the box office it was considered a commercial failure. It made $55M during opening weekend when Sony execs had banked on $100m. Even though it did make money it was panned by the critics and totally derided by fans of the Godzilla franchise.

Toho was also very derogatory of the American version of their beloved monster. They felt they had just made him a giant animal and the soul of Godzilla was lost. Initially, this Godzilla was called G.I.N.O. (Godzilla In Name Only) or "American" Godzilla in Japan, but is now known abroad simply as Zilla (Godzilla that is no longer a "god").

Regardless of the reception of the film, I've always had a soft spot for it. The marketing was pretty intense, including a soundtrack that actually hit #2 on the Billboard and received Platinum status. It had an original song by (at the time) Puff Daddy featuring Jimmy Page, which sampled heavily from the Led Zeppelin song "Kashmir", titled "Come With Me", The Wallflowers hit "Heroes" in which the music video actually featured footage from the film, and a previously unreleased Rage Against The Machine song, "No Shelter". That's not to mention hot tracks from Jamiroquai, The Offspring, fuzzbubble, Ben Fold Five, Silverchair, Days of the New, Fuel, Foo Fighters, and a remix of "Brain Stew" by Green Day, which featured the sound effects of Godzilla.

I was - and still am - a sucker for sci-fi creature flicks and Godzilla was high on my must-see movies for the '98 blockbuster season.

A funny story, though, is that I actually would have sworn to you for years that I saw this movie around my birthday in '98. My memory of that birthday was that I went to Sam The Record Man (the flagship Canadian record store at the time) and picked up the "Gasoline" single from Moist's Creature album, zipped by Zellers (the once mighty Canadian department store) and snagged a copy of Final Fantasy Tactics for the PlayStation - a game I had been dying to play for months - and that my friends and I took in a showing of Godzilla right after.

Godzilla came out in May, but my birthday is in January. Guess which movie we did see? Deep Rising! It also features and underwater sea creature, so I guess you can forgive me the confusion?

I digress, for whatever reason I've connected Godzilla in my psyche as being a part of one of my best birthdays ever, so to this day I just can't hate the movie.

I have the standard VHS release of the film. For all its apparent shortcomings in Sony's eyes it did receive a widescreen VHS release in 1999, but I have the standard version which hit store shelves in November of '98. This is because the VHS release of Godzilla did gangbusters at rental, scoring over $8M bucks. It also sold substantially well on DVD. As a result, you can typically find the standard VHS for Godzilla at about any flea market or tape lot on reseller sites.

There were no teasers or trailers to speak of on the tape. Instead it was loaded with advertisements. There is a really short ad for an (at the time) upcoming TV adaptation of the popular Animorphs book series, a commercial for Agfa Film, an advertisement for Godzilla: The Album soundtrack, and another TV ad for Godzilla: The Series, the animated Fox Kids take on the Godzilla '98 film.



Make sure to let the whole playlist above roll to see all the clips from the tape!

Oddly enough, this cartoon series gets more respect than the film in Japan. It features a Godzilla of the same features as those found in the Tristar film, but it has some of its predecessors trademark abilities, like his Atomic Breath. The cartoon actually had a fair life of about two years, but from what I've read sub-par toy sales lead to its eventual demise.

The quality on my release is pretty fair and the audio is very top notch when enjoyed in stereo, having been mastered in Dolby Surround Sound. You kind of have to forgive the CG for its time. The images of adult Godzilla really standout from the scenery, even though the monster was coloured so it would blend in well with the urban environments of the film (Godzilla destroys New York City in the movie, by the way). I almost felt like the computer effects were running at a different frame rate from the film or something. Its actually kind of jarring, even on VHS which hides a lot of the faults. The practical creature effects look solid and both the CG and practical effects are on-par with their contemporaries at the time. I still find myself wondering what the CGI looks like when viewed on the Blu-ray that released in 2009.

The pacing of the film is kind of hard to take - it goes at a breakneck speed, not giving any of the characters time to breath. That may or may not be a good thing, because Broderick is at his most "Broderick-y" in Godzilla and just seems so out of place with what's going on in the film. I still gotta love that ragtag cast they put together, though, and having Hank Azaria is a main character is just too cool to ignore.

For all its faults, I had a lot of fun with Godzilla and the standard VHS release is easily worth the price of admission; like I said you should be able to find this thing for $1. The widescreen VHS would be cool to have, but I'm not going out of my way for it. This is a big, overblown action sci-fi monster movie and if that sentence alone doesn't at least kind of sell you on the movie then I don't know why you're here reading my stuff!

Hope you enjoyed this edition of VHYesterdayS! I could drop the old cliché and say, "be kind and rewind", but you know what? You shouldn't rewind your tapes right away. Wait until they cool down, alright? You're ruining them! Sheesh.

Cheers,
R

Friday, March 22, 2019

Memory, Blog: Those Creepy Alien Shows



For one reason or another throughout my life I've found myself drawn to TV shows and films about the paranormal and I'm not talking about those reality shows, like Ghost Hunters. Specifically, for me, it is anything to do with aliens and UFOs. It's a contributing reason for my obsession with The X-Files, but it goes much deeper than that.

I want to preface this by saying that I don't believe in aliens. I don't think there's some grand conspiracy that a group of intergalactic beings from another planet/dimension/reality/whatever are visiting earth in ships, abducting people for experimentation, and screwing around with livestock.

I think my fascination with the subject is three-fold.

One reason is that I'm captivated with the idea that there are people out there that whole-heartedly believe in it all. And I don't mean this as a condescension, like, "How could someone believe in this crap!?" It's more akin to wanting to understand why they believe what they believe. It's probably like a secular philosopher trying to better understand religion.

The second reason is that I find alien and UFO stories to be like the ghost stories of our generation. We live in a world driven by science, so of course our fireside stories are that of science fiction. It kind of just makes sense.

The third and most major reason is that the idea of aliens scares the ever-loving shit out of me.

I have zero context to offer you as to why, but when I was really little I had nightmares that the Martians from Sesame Street were going to take me from my bed at night. I had to be the only kid on the planet petrified of Muppets.

They're still creepy.

This fear was exacerbated one fateful day by my unwitting mother who picked up a new video for me to watch: E.T.: The Extraterrestrial. And why woudn't she? It was an international family-friendly hit! As soon as I saw E.T. for the first time, plodding around the forest with his freaky glowing heart, I was instantly traumatized. I can't recall so much as breathing throughout the rest of the viewing, but I somehow survived it. I had a new face for my fear and it was the dough-eyed alien that every other kid at school had on their bed sheets.

See, it's petrifying!

Considering I was so afraid of the subject I have no idea why, but I would try and watch anything that featured aliens, which in the late-80s and early-90s was no problem. The paranormal was a hot topic and one could simply flip to any channel on a Friday night and find a program featuring unexplained phenomena.

The result was a fascination with those hokey paranormal TV shows that used to cover the pages of the TV Guide. For me, it all started in the early 90s when A&E began airing re-runs of In Search Of..., which was one of my favourite TV shows ever. The ideas and topics were so interesting and they would often feature the crazy stories of aliens or UFOs that I was craving, but presented in a way that wasn't all that scary.


Okay, that's BS, I was still scared to death, but I could make it through an episode, so long as all the lights were on. I think this is why I found the courage one night to watch a relatively new show called Unsolved Mysteries, which although it wasn't strictly a paranormal show had the occasional alien/UFO-related topics. In fact, it was an episode of Unsolved Mysteries that spurred on my fear in a big way, but we'll feature that story another time.

There were all sorts of paranormal shows that cropped up in the wake of Unsolved Mysteries, like Sightings and Encounters, both of which tried to employ the trappings of a real news magazine show to make the topics at hand seem that much more credible. And lets not forget the myriad of one-off specials, like Alien Autopsy: Fact or Fiction or Alien Abduction: Incident in Lake County.


My obsession continues to this day, so this is just the beginning for this topic on the site. I already have some related posts in the works, but I thought it made sense that I outline my fear and fascination with aliens and UFOs in films and television before we really begin to scan these starry skis... I mean skies.


Cheers,
R

Friday, March 15, 2019

Theatrical Cut - Captain Marvel

Have you had enough of all the controversy surrounding the release of Marvel's latest film, Captain Marvel? Well, Cole and I took in a viewing and here we are talking about the film without any of the BS!


I feel a little remiss not saying anything regarding the controversy surrounding the film, so what I'll say is that this is a really fun action, comic book film. If you've been reading Marvel Comics as long as I have, you might even find Captain Marvel to be the most "comic-y" (I'll call Encyclopedia Britannica and have the word added, post-haste) of the MCU films to date.

There's all sorts of anti-feminist vitriol and conspiracy regarding Rotten Tomatoes review scores and the belief that Disney has been pushing this film a little bit extra, because it's bad and they secretly want to trick you into seeing it.

This is an MCU film; they sell on name alone. They make bonkers money, no matter what. The Disney Stonecutters don't need some wild agenda to get you into the theatre to see Captain Marvel. It's a good movie that stands on its own two legs just fine and it is worth your time to see it, especially if you're going to see Avengers: Endgame in a few weeks.

Disney has been brokering deals with theatres for a long time when they are releasing their films. They have the hot movies and they know it, so they can "ask" certain things of theatres that want to screen them, like early "VIP" showings the night before release or a certain proportion of screens dedicated to their films, and get away with it. They did the same thing with Star Wars: The Last Jedi in 2017, which caused a big media buzz, as well. This isn't something special they've cooked up for Captain Marvel out of some crazy feminist conspiracy.

If you're looking for a fun two hours, turn your brain off, log off of social media, and settle into Captain Marvel. Cole and I found it really enjoyable and there's setup there for Avengers: Endgame hitting the silver screen on April 26th!

Make Mine Marvel,
R

Friday, March 8, 2019

VHyesterdayS - Terminator 2: Judgment Day

Here's some more VHS love to spice up your Friday!

As promised, in this edition of VHyesterdayS we'll be chatting about what I'm pretty sure is a 1992 release of Terminator 2 by Carolco and Live Entertainment.


I mention a Subway commercial that appears at the start of the tape, in lieu of any teasers for other films. I said in the video that it was a franchisee commercial, but I just got my thoughts jumbled. It's a regular old Subway ad from the early 90s. I wrote my notes over a month ago, wrote down that the actor looked like a franchisee, got it all mixed up when I was recording, and since this is my second time in the last few weeks re-doing this video, I'm not fixing it!

Welcome to the wonderful world of un-professional, just doing it for the kicks, content creation, folks!

Here's the ad:


As always, I hope you get something out of my obsession with old VHS tapes!

Cheers,
R

EDIT: It appears that Lionsgate feels that my video somehow infringed on their copyright for Terminator 2 and even after disputing with YouTube my video has been disabled. I don't see me having time in the near future to re-record the video to avoid copyright infringement (I played the trailer for the movie in the background without audio, if you're wondering) so for now, unfortunately, this video is dust. If I can upload a revised version in the near future, I'll make sure to update this post and make an announcement on my Twitter feed!

EDIT2: I've moved the video to DailyMotion. Have a watch!

Friday, March 1, 2019

VHyesterdayS - The Terminator

Here we are once again as I dig through my personal treasure trove of VHS tapes and pull out some of the gems.

I can still recall when I first saw Terminator 2: Judgement Day, but I can't really recall my first viewing of The Terminator. I've always felt that T2 was the better movie - and that still stands - but I must say that over the years the original Terminator film has grown on me significantly.

In this episode of VHyesterdayS we examine a late VHS release - the 2000 Alliance Atlantis Canadian copy of The Terminator - and have a brief chat about some of the releases that preceded it.


I hope you enjoy!
R

Wednesday, October 17, 2018

Theatrical Cut - The Predator

I forgot to post this, but a few weeks back Cole and I went and saw the latest in the Predator franchise, the aptly titled The Predator.

Here are our thoughts going and after the film!



Hope you enjoy,
R

Theatrical Cut - Halloween (1978)

Cole and I took in a screening of John Carpenter's Halloween for it's 40th anniversary. Here's the video!



Hope you enjoy,
R

Wednesday, September 26, 2018

VHyesterdayS - Child's Play

Here's the latest episode of VHyesterdayS where I talk about an old ex-rental copy of Child's Play that I've had around for a very long time!


Also, make sure to check out the teaser trailer from the tape for James Bond in Licence To Kill!


Hope you enjoy,
R

Tuesday, February 20, 2018

Yars' Revenge (1982) - Atari 2600 and Atari: Game Over (2014)

I'm going to be honest with you here. I was born in the early-1980s. Although my parents did own an Intellivision I had no contact with that system until the '90s and well after I'd received my first video game console, the Nintendo Entertainment System. As far as the Atari 2600, I can't even recall when I saw one for the first time, but as a result of never playing one when I was a kid I just never got into the system at all.

The Atari 2600 in all its wood-grained glory
I always understood the love for that Atari 2600, but it was just before my time. And because of the video game crash in '83 they were quickly off the market and almost a distant memory by the I got my NES in '89. I had one cousin who had an Atari 2600, but it was rarely played when I visited in lieu of playing whatever NES games he had available instead.

All this to say that - although I understand why people love the Atari 2600 - I have zero nostalgia for it, and frankly, never really cared for it. Compared to what I got to play on the NES, 2600 games just seemed a little too primitive. In my mind they were mostly poorly ported arcade titles and I was never really into those particular games to begin with. I appreciated playing shooter games like Galaxian in the arcade itself, but when I saw the home port on the 2600 it never really wowed me.

A few years ago my wife got me an Atari Flashback 6 for Christmas and I suddenly had a bevy of 2600 games at my fingertips to try. Again, I found myself not so interested in the shooter games, but I discovered a new appreciation for titles like Adventure and the 2600 port of Frogger. Still, I didn't spend too much time with it, but it is permanently hooked up to what I affectionately call my "retro corner" in my home office, which consists of a flat-screen CRT, a VCR, a DVD player/recorder, and my Atari Flashback. Whenever I want to hook up another older console I hook it up to this TV, but they don't fit in the stand. The Flashback, however, fits in there nicely, so it's basically always hooked up.

The other night I was going through Netflix looking for something to watch and I realized that although I'd added it to "My List" I had never gotten around to watching Zak Penn's Atari: Game Over. The documentary takes a look at the meteoric rise of Atari in the late-70s/early-80s, the programmers producing their money-making cartridges, and the downfall of the company, seemingly signaled by the infamous E.T.: The Extra-Terrestrial 2600 game release at Christmas of '82.

The Atari: Game Over poster displaying the co-ordinates of the infamous dumping site
It runs at around an hour and is a really great watch. I am a self-professed video game aficionado and like to believe I know a lot about the industry, but I learned a great deal about Atari and the effect the 2600 had on the home computing enterprise by watching this film.

The film delves into the long-lived rumour that the release of E.T. for the Atari was so bad and so poorly received that the company drove all the extra copies of the game, of which they had printed millions, and buried them in the desert in Alamogordo, NM. This story had become video game legend and had cemented the idea the E.T. is the worst video game ever made and almost single-handedly destroyed Atari.

An ad for E.T. on the 2600
Atari: Game Over focuses on three main individuals: Joe Lewandowski, the man who researched and believed he found the site of the Atari game burial, Howard Scott Warshaw, the programmer who created the E.T. cartridge, and Ernie Cline, writer and video game enthusiast. There are plenty of interviews from the people in charge of Atari at the time of the crash, as well as many other filmmakers and video game developers.

With such a short run-time, the film has a bit of a narrow scope. It's a fun watch and I liked that it focused on Howard Scott Warshaw and the effect E.T. and Atari had on his life, which was a really cool perspective and story I'd never heard before. If you're looking to understand the entirety of Atari's downfall and the video game crash, however, this film isn't going to get you there. It will whet your appetite for more information, and I think is ultimately worth the watch, but you'll need to go elsewhere for the full story.

How does this all get back to Yars' Revenge, which you see in the title of this post? Well, like I said, I was captivated by Howard Scott Warshaw's story in the film. He was brought in as one of Atari's "rockstar programmers" at the height of the 2600's popularity and - before he became synonymous with E.T. - programmed the most profitable original game for the Atari 2600 - Yars' Revenge.

Yars' Revenge box-art
Yars' Revenge started out as another Atari 2600 arcade port - the kind I mentioned I had little interest in - of Star Castle. Warshaw quickly told his superiors that he couldn't properly port that game to the home console hardware, but had come up with his own game that used a similar mechanic. He was greenlighted to then program his game, which went on to sell one million copies.

Warshaw really wanted to blend storytelling with video games, something that wasn't really being done at the time, so he came up with a whole backstory to Yars' Revenge, which was adapted into a comic and packaged with the game. It tells the story of the Yars - a race of super-advanced houseflies - that had originated on Earth, but had been mutated in space, developed their own society and culture, and inhabited several planets in another solar system. An unknown race called the Quotile attacked and destroyed one of the Yars' planets, Razak IV, and now it is up to the warriors of Yars to defend their people against the Quotile using their newly developed Zorlon Cannon. It's a fun little comic and you can check it out here.

Warshaw coding E.T. The Extraterrestrial in his home in 1982
The game is pretty simplistic. The player pilots the Yar, a flying bug-like creature, against the Quotile. The enemy is encased in a shield, which the Yar needs to either blast or munch to destroy. The Quotile has two attacks - a missile that slowly chases the Yar at all times on screen, and the "Swirl", in which the Quotile itself spins and shoots across the screen at the Yar. There is a neutral zone in the middle of the screen that the Yar can enter and becomes impervious to the missile, but also loses the ability to shoot. The neutral zone does not, however, protect from the Swirl, which can destroy the Yar at all times.

The Yar has to destroy the barrier around the Quotile and attempt to fire the Zorlon Cannon. The only way to fire it, however, is to either touch the Quotile or nibble at the shield. When the cannon becomes available you'll see it appear on the opposite side of the screen. Once fired, the cannon blast will fire directly at the Yar, so you have to pilot away from the blast after it is fired and try to bypass the barrier and hit the Quotile to progress to the next stage.

There are two screens in the game (that I saw), one with a domed barrier, and another with a strange rectangular barrier, which constantly shifts. The further you get in the game, the barrier will change colour and the enemies will become more and more difficult. For instance, in the earlier stages the Swirl is pretty easy to see coming and dodge, but later there is little warning that the Quotile is going to unleash this blast, so you have to be on your toes to dodge it.

Yar's Revenge
Directly after I finished Atari: Game Over, I found myself wanting to play... E.T.: The Extraerrestrial. I have a weird relationship with that movie (maybe some day I'll write about it) and all the talk about the video game made me want to try it out. Unfortunately, and unsurprisingly, and doesn't grace the Atari Flashback 6. However, it did have Yars' Revenge, so I decided to boot it up. I found myself playing it for hours! I have never played an Atari for that long in my life and I really enjoyed it.

With only two stages it seems like the game would be very limited, but the difficulty ramps up quite well and I found myself really challenged by the game. And what's funny is all that backstory that Warshaw wanted attached to the game really helped! My imagination combined with the comic book helped me really feel like I was a flying Yar warrior defending my race against the evil Quotile and made the game that much more enjoyable.

I can't remember my high score, but it wasn't great. I died a lot! But the main thing was that I had fun and I still want to play more! Finally, I "got" what people enjoyed about the Atari 2600. Yars' Revenge is a really fun game and not like any other flying shooter I've ever played before.

So my final verdict is that you should check out Atari: Game Over and pair it with Yars' Revenge. The film and the game both gave me a new appreciation for the Atari 2600 and they might do the same for you, too!

Hope you enjoyed,
R

Tuesday, October 24, 2017

Theatrical Cut - Blade Runner 2049

My good friend Cole and I finally managed to catch Blade Runner 2049, the newly minted sequel to the original Blade Runner, starring Ryan Gosling, Harrison Ford, Jared Leto, and directed by Denis Villeneuve. Here are our thoughts after we left the theatre!


Hope you enjoy,
R

Tuesday, October 17, 2017

VHyesterdayS - Communion (1989)

Here is the inaugural edition of my latest video series VHyesterdayS, where I'll talk about some of my favourite VHS tapes I have lying around my movie collection.

This episode will be about the controversial and oddball science fiction film, Communion, based on the novel of the same name.


Don't forget to check out the Coming Attractions!




I hope you enjoy,
R

Friday, April 1, 2016

Theatrical Cut - Batman v Superman: Dawn of Justice

Follow my good friend Cole and I as we take a trip to the theatre to see Batman v Superman: Dawn of Justice!



Hope you enjoy,
R

Friday, February 13, 2015

My Bloody Valentine (1981) Commentary with Paul Kelman!

I had the privelege last night to sit down with my Sausage Factory brethren and do a live commentary for one of my favourite slashers of all time, My Bloody Valentine, with the film's star Paul Kelman, himself!

If you want to watch me nerd out like crazy, definitely check out the video. Make sure to cue up a copy of the film while you're at it!


Hope you enjoy,
R

Friday, November 28, 2014

Enter: The Broad Saber



The Internet exploded today with the release of the teaser trailer for Star Wars: The Force Awakens, J.J. Abrams hotly anticipated sequel in the Star Wars series. Check out the trailer below.


I've been avoiding as much news on this as I possibly could, because I've heard a lot of spoiler talk is making its way around the Web, but a teaser trailer is something I could not ignore.

Seeing images of X-Wings, TIE Fighters and the Millennium Falcon doing a loopdy-loop in mid-battle had me absolutely giddy, but like everyone else the focal point of the teaser is the introduction of a dark figure with a - now - infamous new light saber.

The Broad Saber
I don't know what the Internet, as a whole, is calling this new weapon, but I'm calling it The Broad Saber, because it looks like a huge broad sword. There is a lot of complaining and joking going on that the design makes no sense and will only end up in the wielder cutting his or her hands off, but I wholly disagree.

If you think about it, a broad sword always has a huge hilt and crossguard, to block opposing blades from cutting the swordsman's hands. Wouldn't it make sense that a light saber would need a guard just like that to block other light sabers?

MINOR SPOILERS AND WILD SPECULATION TO FOLLOW

This final piece is complete conjecture on my part, but I'd like to surmise why this cloaked Jedi/Sith is using a light saber like this; I believe we're seeing Luke Skywalker. It's often quoted that in the Expanded Universe, Luke Skywalker walks the line of the Light and Dark sides of The Force. If this film continues to play with this idea, I don't think it would be out of character for Luke to brandish a red light saber, even though you would expect it to be blue or green.

Also, I think this is J.J. Abrams' and/or Lawrence Kasdan's clever idea to explain light saber battles between the Prequel Trilogy and the Original Trilogy. In the Prequel Trilogy, we see Jedi and Sith trained by the absolute best from a young age to battle with the light saber, so that explains why the fights are so much more fast and intense. In the Original Trilogy, we're seeing an ageing Obi-wan try to quickly teach Luke how to use the Jedi's weapon in a matter of days. As to why Darth Vader fights so sluggishly after we've seen Anakin Skywalker at work, you can try and fill that gap yourself. Maybe it's the new body after the events of Revenge of the Sith? I dunno. Moving on, though, one way to explain the way that Luke continues to fight in such a sluggish style would be if he were fighting as if he were using a large broad sword, which would require less flourishes and would be a much slower weapon.

Anyway, like I said this is total conjecture and just an idea I had after a few viewings of the teaser trailer. Regardless, I haven't been this excited for a movie in a long time and I don't know how I'm going to wait a whole year for Star Wars: The Force Awakens to finally hit the big screen. This certainly won't be the last Star Wars post you'll see on the blog in the next 12 months.

Hope you enjoyed,
R

EDIT - 04-12-2014: I just accidentally saw more concept art for The Force Awakens that throws my theory above out the window. I really need to stop searching for anything Star Wars related on the web. Anyway, I won't say too much and spoil anything, but I saw some early concept art of the Broad Saber and the character holding it, which clearly shows it isn't Luke Skywalker, but another character from the expanded universe. I'll hide the name here, so it'll be up to you to uncover, should you choose to: Revan

I still think the Broad Saber's origins lie in the original concept that Light Sabers were to be wielded like broadswords, but my ideas on the character holding the weapon are completely out the window.